Designer, maker and explorer working across digital products, physical objects and visual systems.

Squish Face turns any photo into a 3D stress ball you can squeeze, pinch, pick up and throw around the browser. Make it foamy, bouncy, plasticky or clay-like or skip the selfie and squish a frog, cat, chick or another weird little animal instead. A small AI experiment to see how far one silly idea can go.

Draw a line. Let it grow. A test of using AI to build a visual tool, and to explore how tools like this could become part of a client handover alongside brand guidelines.

A packaging system for LIIKO’s range of stations, stands and desktop objects.

A packaging system that could work across different products without requiring a separate printed box or sleeve for each size.

Most interfaces make “I agree” effortless. I explored five fun interactions that slow consent down on purpose: making it more visible, intentional and transparent. The question is simple: can a slower “I agree” build more trust?

Nodi brings Nordic and Asian design together. I translated that idea into a flexible digital system using a restrained grid, generous space, bold colour blocks, and asymmetrical layouts—creating an experience that feels minimal, editorial, and slightly unexpected.

Reworked traditional Taiwanese temple imagery into a flexible graphic system of simplified forms, repeated patterns, and bold compositions.

Shan Shan wanted to keep its existing logo while giving the identity more room to evolve. I combined the triangular mark with topographic contour lines to create a flexible pattern system that could shift across formats, scales, and applications, then extended it into a new series of tea tin packaging.

For Tikki, I mixed sewing tools with New Zealand birds to create a set of playful label illustrations: small characters that reflect both the joy of making and the studio’s local identity.

The world keeps getting more digital. I still like ink on my fingers. A series of brush experiments exploring gesture, texture and imperfection.

These plants have no names. They grow from gestures, repetition and accidents— somewhere between nature and imagination. A collection of invented flora.

A concept for Sumida City, Tokyo, created with a local balloon manufacturer. Landmark-shaped balloons stand on postcards, turning a simple souvenir into a playful piece of art.

A2H stands for “Amazing Healthy and Happy Lifestyle.” Created as a café-bar for urban cycling enthusiasts, the brand brings together bicycles, food, and a positive approach to everyday living. The project focused on creating a minimal and flexible visual identity system that could express A2H’s energetic, healthy, and urban character across different touchpoints.

Rice Story is a Helsinki-based restaurant built around one of the simplest and most versatile ingredients: rice. The identity explores rice as a blank canvas: something that can take on different flavors, textures and cultural influences depending on how it is prepared. This idea became the foundation for a visual system that feels playful, expressive and constantly changing.